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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label Weill Recital Hall. Show all posts
Showing posts with label Weill Recital Hall. Show all posts

Thursday, May 12, 2016

Concert Review: Golden State Warriors

The Carnegie Hall debut of the Calidore String Quartet
by Paul J. Pelkonen
Jeffrey Myers, Jeremy Berry, Estelle Choi and Ryan Meehan: the Calidore String Quartet.
Photo from the group's official website, calidorequartet.com
The arrival of a string quartet for its first performance at Carnegie Hall--here at the intimate upstairs Weill Recital Hall--is a momentous occasion, especially if that quartet is a group of talented and ambitious musicians. So it was on Tuesday night when the California-based Calidore String Quartet played a concert of works by Mozart, Hindemith and Mendelssohn at its first concert on W. 57th St.

Monday, April 11, 2016

Concert Review: Cliff Notes

The Dover String Quartet at Weill Recital Hall.
by Paul J. Pelkonen
The Dover Quartet (Joel Link, Bryan Lee, Camden Shaw, Milena Pajaro-Van de Stadt)
playing Samuel Barber. Image from DoverQuartet.com
The playing of string quartets remains one of the most cerebral of music disciplines, and the interplay between two violins, viola and cello has fascinated composers and listeners for centuries. On Friday night, Weill Recital Hall was packed to hear the Dover Quartet take on major pieces by Dvořák, Berg and Beethoven, in a performance that was both a watershed and a welcome for this young ensemble.

Thursday, February 19, 2015

Concert Review: He's Ready for the World

Behzod Abduraimov at Weill Recital Hall.
by Paul J. Pelkonen
Bezhod Abduraimov.
Photo by Ben Ealavega © 2015 Decca Classics.
The first Carnegie Hall recital by a promising young pianist is an important occasion. When that artist is Behzod Abduraimov, the young powerhouse playing a musically conservative (but pianistically ambitious) program of Chopin, Schubert and Ravel, that occasion becomes a hot ticket, especially when that recital is held in the cozy (268 seats) elegance of Weill Recital Hall, located upstairs from the more famous Hall that Music Built.

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Critical Thinking in the Cheap Seats