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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label Scheherazade. Show all posts
Showing posts with label Scheherazade. Show all posts

Tuesday, October 4, 2016

Concert Review: The Singer, the Princess and the Orchestra

Magdalena Kožená makes her Philharmonic debut.
by Paul J. Pelkonen
Mezzo-soprano Magdalena Kožená made her debut with the Philharmonic last week.
Photo by Harald Hoffmann © 2016 Deutsche Grammophon/UMG.
In his eight years at the helm of the New York Philharmonic, music director Alan Gilbert has had a mix of successes and failures. His strengths are with big, symphonic works and opera, with lesser results coming when he veers into the repertory of the baroque and classical periods. As he enters his final year leading the orchestra, Mr. Gilbert has wisely selected a series of concert programs that play to his strengths.

Wednesday, April 1, 2015

Concert Review: A Ride on the Orient Express

The Philharmonic premieres John Adams' Scheherazade.2.
by Paul J. Pelkonen
A woman against the masses: violinist Leila Josefowicz at the New York Philharmonic.
Photo by Chris Lee © 2015 The New York Philharmonic.
As music director of the New York Philharmonic, Alan Gilbert has been instrumental in engineering the premieres of new works by still-living composers. One of those premieres took place last week with the first performances anywhere of Scheherazade.2, John Adams' new "dramatic symphony for violin and orchestra." It is in fact a hybrid creation: a four movement symphony with  aspects of a violin concerto, minus any structural resemblance to the latter form. The solo part was played by Leila Josefowicz.

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