Metropolitan Opera Preview: Werther

The Met brings back its handsome new Werther...without its star, Jonas Kaufmann.
by Paul J. Pelkonen

Isabel Leonard stands strong as Charlotte in Massenet's Werther.
Well actually this photo is of the mezzo in Cosí fan tutti but we're on deadline.
Photo © 2017 The Metropolitan Opera.

Vittorio Grigolo has big shoes to fill (Jonas Kaufmann's) as the Met revives its Richard Eyre staging of Werther, the tale of a lovestruck poet whose tragic love for the beautiful Charlotte (Isabel Leonard) leads to suicide.

Opera Review: The Girl in the Bubble

Kristin Opalais returns as Manon Lescaut.
by Paul J. Pelkonen

Cast aside: Kristin Opalais in the last scene of Manon Lescaut. 
Photo by Ken Howard © 2016 The Metropolitan Opera.

When the Metropolitan Opera opened its new Richard Eyre production of Manon Lescaut last February, it stirred up a firestorm of criticism. Mr. Eyre moved the action ahead to France in the 1940s, an occupied and defeated nation under the Nazi boot. On Monday night, this revival featuring Kristin Opalais in the role that she created last season seemed particularly on point, its oppressive sets, decadent, doomed atmosphere and the libretto's treatment of women as a commodity a set of mirrors for these troubled times.

Metropolitan Opera Preview: Manon Lescaut

Anna Netrebko takes on Puccini in the title role of Manon Lescaut
by Paul J. Pelkonen

Anna Netrebko and Marcelo Àlvarez are down and out in Paris
in a scene from Manon Lescaut. Photo by Ken Howard © 2016 The Metropolitan Opera.

Anna Netrebko, currently the most marketable soprano on the planet takes on a major Puccini role in her continued bid for world supremacy. She will play the title role in the Met's new-ish production of Manon Lescaut, just five years after she played the title role in Massenet's Manon.

Metropolitan Opera Preview: Le Nozze di Figaro

Mozart's comedy of sex and class struggle returns to the Met stage.
by Paul J. Pelkonen

Isabel Leonard (center) stars as Cherubino in the Met's revival of Le Nozze di Figaro.
Photo by Ken Howard © 2014 The Metropolitan Opera.

Look, this is just a good opera. In fact it's one of the best. Mozart's Figaro is a four-act, four-hour feast of the composer's best and most memorable tunes, and a story that features one memorable day in a very peculiar household. This run offers a new cast in the Met's production by Sir Richard Eyre, which opened the 2014 season.

Opera Review: Poetry in Motion

The Met unveils a new Richard Eyre Werther. (Hey, that rhymes!)
by Paul J. Pelkonen

Talk to the hand: Charlotte (Sophie Koch) rejects Werther (Jonas Kaufmann) with a gesture
as the Met opens Richard Eyre's new production of the Massenet opera.
Photo by Ken Howard © 2014 The Metropolitan Opera.

The Metropolitan Opera unveiled the sixth and final new production of the 2013-14 season on Tuesday night: a new staging of Jules Massenet's Werther. However, the real reasons for celebration were the roof-raising performances of Jonas Kaufmann in the title role, a complex, towering performance that might finally get New York audiences to appreciate Massenet. This was the Met's first new production of the opera in 40 years, and its first performance of Werther since a 2004 revival starring Roberto Alagna. (Thanks to one of our readers for pointing out a previous error.)