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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label Nose. Show all posts
Showing posts with label Nose. Show all posts

Tuesday, October 27, 2015

Metropolitan Opera Preview: Lulu

William Kentridge re-imagines Alban Berg's visionary, violent opera. 
by Paul J. Pelkonen
Isn't she lovely: Marliss Petersen is the femme fatale in Lulu.
Photo by Kristian Schuller © 2015 The Metropolitan Opera.
One of the most eagerly anticipated new productions of the 2015 season is Lulu, staged by the South African artist and director William Kentridge. Mr. Kentridge's previous effort for the Met, The Nose met with critical and audience acclaim. Can he do the same for the sordid story of Lulu, the female "earth spirit" who leaves a trail of broken hearts and dead bodies in her wake?

Saturday, August 3, 2013

Metropolitan Opera Preview: The Nose

The Shostakovich comedy is back for another run.
(For the Superconductor review of The Nose, visit this link.) by Paul J. Pelkonen
The Nose makes a run for it as the Met revives William Kentridge's 2010 production.
Image © 2010 The Metropolitan Opera.
Opera fans, rejoice: the beezer is back.

The Nose, based on a story by Nikolai Gogol is Shostakovich's first opera, a wild, absurdist comedy that recounts the story of Kovalyov, an unfortunate bureaucrat (Paulo Szot, reprising his performance from 2010) who receives an unexpected total rhinectomy from his barber one morning.

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Critical Thinking in the Cheap Seats