Support independent arts journalism by joining our Patreon! Currently $5/month.

About Superconductor

Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label Nacthmusik. Show all posts
Showing posts with label Nacthmusik. Show all posts

Monday, May 7, 2018

Concert Review: The Darkness is in the Details

The Bavarian Radio Symphony Orchestra plays Mahler's Seventh.
by Paul J. Pelkonen
 Mariss Jansons at the helm of the Bavarian Radio Symphony Orchestra.
Photo by Brescia and Amisano © 2017 the BBC Proms.
Gustav Mahler’s Seventh Symphony is his least played, his least loved, and for the unwary conductor or their orchestra, the most dangerous of his symphonies. This sprawling five-movement work (sometimes referred to, though never by Mahler himself, as the "Song of the Night")  is riddled with trapdoors and land mines, illusory orchestrations, unusual instrumentation (there are solos for cowbells, tambourine, mandolin and guitar) and other hazards. Messing up any of these can torpedo a performance and sink both conductor and orchestra with no survivors.

Trending on Superconductor

Translate

Share My Blog!

Share |

Critical Thinking in the Cheap Seats