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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label Mikael Karlsson. Show all posts
Showing posts with label Mikael Karlsson. Show all posts

Friday, January 12, 2018

Opera Review: Into Her Hypercube

Prototype premieres Mikael Karlsson's The Echo Drift.
by Paul J. Pelkonen
A clockwork redhead: Blythe Gaissertt as Walker Loats in The Echo Drift.
Photo by Olga Baranova © 2018 PROTOYPE Festival.
The set was simple: a spartan bed, a stool and a small desk, a cube-shaped prison cell on struts, trapped inside a larger cube that had a projection screen on one side serving as a wall. This assemblage was constructed on a swivel. It and the cyclorama at the back of the stage were the projected surface for minimal scenery rendered in stark white chalk lines. (The set was by co-librettist Elle Kunnos de Voss (credited as "Environment Designer") and the projections were by Simon Harding.)

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Critical Thinking in the Cheap Seats