Across Oceans of Sand

The Met's new Aida takes Verdi back to Las Vegas.
by Paul J. Pelkonen

Opened in 1993, the Luxor Las Vegas hotel is an inspiration for Michael Mayer's
second Verdi production to be set in America's playground.
Photo by Miguel Hermoso Cuesta for Wikipedia Commons.

Even as the Metropolitan Opera bids farewell to its classic production of Verdi's Aida, expectations are high for its successor which is planned for opening night of the 2020 season. Details have leaked to Superconductor regarding the staging, which will be the third Verdi opera directed at the Met by Michael Mayer. Mr. Mayer, the director who moved Verdi's earlier opera Rigoletto to Las Vegas, Nevada in the 1960s (with the Duke reimagined as a casino entertainer and the title character as his opening act, a Don Rickles-style insult comic) will return to Sin City next year. His plan: move Verdi's Egyptian drama to the flashy modern casinos of that city's current Strip.

Metropolitan Opera Preview: Rigoletto

A new cast takes over the Met's "Vegas" Verdi revue.
by Paul J. Pelkonen

Shake it baby: Piotr Beczala goes Vegas in Rigoletto.
Photo © 2015 The Metropolitan Opera.

This year's revival features Simon Keenlyside's return to the Met stage in the title role. He'll be relieved by Željko Lučić who sang this production when it premiered in 2013. The Duke will be sung by original lounge lizard Piotr Beczala, who will eventually be replaced by Stephen Costello. The key role of Gilda--Rigoletto's treasured daughter and the latest object of the Duke's depredations--is sung by Olga Peretyatko, who made a splash a few seasons back in I Puritani. Nadine Sierra sings the later performances.

Opera Review: Back to the Tables

The Met revives its "Las Vegas" Rigoletto.
by Paul J. Pelkonen

Rigoletto (Dmitri Hvorostovsky, right) explains the facts of life to
Gilda (Irina Lungu) in the Met's revival of Rigoletto. 
Photo by Ken Howard © 2013 The Metropolitan Opera.

Despite a run of strong performances last season and a wave of critical acclaim, the Metropolitan Opera's still-new Michael Mayer production of Rigoletto remains controversial. Mr. Mayer's production updates Verdi's opera to 1960s Las Vegas, transforming the Duke into a Frank Sinatra-type casino entertainer and the titular hunchbacked jester as his opening act: a painfully unfunny insult comic.

Metropolitan Opera Preview: Rigoletto

The Met unveils its new production...set in...Las Vegas?
by Paul J. Pelkonen

Vega$, baby! Zeljko Lucic stars in Verdi's tragedy.
Promotional image for Rigoletto © 2012 The Metropolitan Opera.

When Verdi announced Victor Hugo's Le Roi s'Amuse as the subject of his 17th opera, Venetian forced the composer and his librettist to retitle the opera, change the names of all the characters, and move the action to Mantua. With this new production, director Michael Mayer goes the censors one better, moving the action to fabulous Las Vegas, Nevada. (At least he didn't re-name the characters.)

Mr. Mayer's production (his first for the Met) is meant to evoke the "Rat Pack" era of the 1950s, when Frank Sinatra and crew held sway over the Strip. Wherever it's set, this remains the powerful tragedy of an overprotective father, his beautiful daughter and his lecherous boss. It is Rigoletto's own "fear and loathing" that inadvertently brings about the demise of the one person he truly loves.

Despite the uprooting of the characters, the cast is consistent with last year's Rigoletto. Zeljko Lucic returns as Rigoletto, opposite the Gilda of German soprano Diana Damrau. Piotr Beczala should be a handsome-voiced Duke, but don't expect him to break into "Fly Me to the Moon."

Rigoletto premieres Jan. 28, 2013.