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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label Maxim Vengerov. Show all posts
Showing posts with label Maxim Vengerov. Show all posts

Friday, October 20, 2017

Concert Review: The Idea of North

L’Orchestre symphonique de Montréal revient au Carnegie Hall.
Conductor Kent Nagano poses n a street in vieux Montréal.
Photo from Harrison Parrott.

L’Orchestre symphonique de Montréal (for the rest of this review, referred to as the Montreal Symphony Orchestra) is one of the finest symphonic ensembles in North America. They are a stellar symphonic ensemble with a long history and a sound all their own, combining precise European string playing with the lusty, leather-lunged brass one associates with this continent. However, they have been relatively infrequent visitors to the Carnegie stage in the past  decaderecently have New Yorkers been able to hear this superb orchestra enjoyed by our neighbors to the North.

Saturday, January 24, 2015

Concert Review: The Crowd Pleasers

Maxim Vengerov at the New York Philharmonic.
by Paul J. Pelkonen
Maxim Vengerov. Photo by Sheila Rock for Warner Brothers Classics.
A debut and a return were the story at the New York Philharmonic this week. Making his debut before a subscription audience was Long Yu, the Chinese maestro who leads three orchestras in that country. The return was that of violinist Maxim Vengerov, who had not played with the Philharmonic in nine years. His solo spotlight: the evergreen Tchaikovsky Violin Concerto, an audience favorite that puts much of the burden squarely on the soloist's shoulders.

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Critical Thinking in the Cheap Seats