Concert Review: Too Many Cookes

Sir Simon Rattle conducts the completed Mahler Tenth.
by Paul J. Pelkonen

Sir Simon Rattle at study.
Photo by Monika Rittershaus for EMI Classics/WBC. 

When Gustav Mahler died on May 18, 1911, he left behind five folders of musical sketch material. There were two completed movements and three of four-stave sketches: the bones of his unfinished Symphony No. 10. On Monday night, in the concluding performance of a three-movement series, Sir Simon Rattle and his London Symphony Orchestra gave their first New York performance together of this still controversial work, in a five-movement performing edition created in 1960 by musicologist Deryck Cooke.

Concert Review: Meet the New Boss

Sir Simon Rattle leads the Mahler Ninth.
by Paul J. Pelkonen

Sir Simon Rattle: Photo by Sebastian Grébille.
© 2018 London Symphony Orchestra.

In the hallowed confines of David Geffen Hall (OK, they're not exactly "hallowed" but they are well-used) there is no symphony that carries more weight (and more historical baggage) than Gustav Mahler's Symphony No. 9. So in some ways it was the ideal choice to open Mahler Transcending, a three-night celebration of the composer's last works, played by the London Symphony Orchestra under the baton of its new boss, Sir Simon Rattle.