With the Mahler Chamber Orchestra, Mitsuko Uchida returns to Carnegie Hall.
by Paul J. Pelkonen
The art of conducting a piano concerto from the keyboard, and also playing the fiendishly difficult piano parts written into such a work, sometimes produces conflicting results. Soloists used to the traditional position in front of a conductor may find themselves relying on the bow of their concertmaster. Others may have trouble splitting the tasks of orchestral leadership and visiting virtuoso. None of those problems befell Mitsuko Uchida, who brought her current collaborators in the Mahler Chamber Orchestra to Carnegie Hall for a concert of Mozart and Berg on Friday night.
by Paul J. Pelkonen
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| The ten magic fingers of Mitsuko Uchida. Photo by Jean Radel. |

