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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label Lembert Beecher. Show all posts
Showing posts with label Lembert Beecher. Show all posts

Monday, March 3, 2014

Opera Review: The Rules of Engagement

The Gotham Chamber Opera offers a twin bill at the Met.
(The other Met.)
by Paul J. Pelkonen
The Arms and Armor Court of the Metropolitan Museum of Art, setting for last week's
performance by the Gotham Chamber Opera.
Photo © 2014 The Metropolitan Museum of Art.
The Gotham Chamber Opera has a reputation for staging opera in obscure, even impractical locales. From the planetarium dome of the American Museum of Natural History (Il Mondo della Luna) to the cramped burlesque club The Box (last season's Eliogablio), this company has come to embody a new aesthetic of opera, freed from the confines of an opera house or theater. Last week, the company came up with an innovative way to mount two works in the Metropolitan Museum of Art: Monteverdi's I combattimento di Tancredi e Clorinda and the world premiere performances of I Have No Stories To Tell You, by Gotham's very own composer-in-residence Lembert Beecher.

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Critical Thinking in the Cheap Seats