Concert Review: The Theory of Massive Attack

The New York Philharmonic goes massive and modern.
by Paul J. Pelkonen

Alan Gilbert and Frank Peter Zimmermann on tour in Europe 2012.
Photo by Chris Lee © 2012 rThe New York Philharmonic.

With the announcement of the 2016-17 season only a few weeks away, the New York Philharmonic is playing well for outgoing music director Alan Gilbert. On Friday morning at David Geffen Hall, the orchestra was joined by soloist Frank Peter Zimmermann its second performance of Magnus Lindberg's Violin Concerto No. 2. The Lindberg work, which premiered with the London Philharmonic late last year, was flanked by two heavy 20th century bookends: Respighi's Vetrate di chiesa ("Church Windows") and Stravinsky's The Rite of Spring.

Riot Act: The Rite of Spring Turns 100

Reflections on Igor Stravinsky's ballet masterpiece.
by Paul J. Pelkonen

Do the circumstances of a work's premiere out-weigh the importance of the work itself?

Costumes for the premiere of Stravinsky's The Rite of Spring.

Igor Stravinsky's Le Sacre du Printemps, better known in this country under its original title The Rite of Spring is one work where that is entirely possible. The Rite premiered in Paris 100 years ago, and the audience's reaction to this new music had shadowed it ever since: a near-riot of well-dressed Parisians booing, catcalling, and in more than a few cases, getting caught up in the violence of the music and assaulting their neighbors.

The cops showed up at intermission.