Support independent arts journalism by joining our Patreon! Currently $5/month.

About Superconductor

Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label Johannes Debus. Show all posts
Showing posts with label Johannes Debus. Show all posts

Tuesday, December 6, 2016

Opera Review: The Girl Who Has (Almost) Everything

Patricia Racette brings her Salome to the Met.
by Paul J. Pelkonen
A head in the opera business: Patricia Racette holds the severed head of Jokaanan (John the Baptist)
in the climactic scene of Salome. Photo by Ken Howard © 2016 The Metropolitan Opera.
When the Metropolitan Opera announces a cast change in the weeks leading up to an important mid-season revival, opera critics sometimes get nervous. (Your humble blogger is no exception.) At the Met on Monday night where the company's first 2016 performance of the Richard Strauss shocker  Salome was about to take place, a sense of foreboding, even trepidation hung over New York's largest opera house. Patrons crossing the plaza were unusually subdued. This revival (originally meant to feature soprano Catherine Naglestad) now starred a familiar Met trouper: soprano Patricia Racette. Ms. Racette, who has been acclaimed in past seasons but more hit-and-miss in recent years, had never sung this role before in New York.

Trending on Superconductor

Translate

Share My Blog!

Share |

Critical Thinking in the Cheap Seats