Support independent arts journalism by joining our Patreon! Currently $5/month.

About Superconductor

Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label Isango Ensemble. Show all posts
Showing posts with label Isango Ensemble. Show all posts

Sunday, November 2, 2014

Opera Review: Three Chords and the Truth

Isango Ensemble presents a souped-up Magic Flute.
by Paul J. Pelkonen
Soprano, arranger, ruler of the heavens: Pauline Malefane as the Queen of the Night
in Isango Ensemble's The Magic Flute: Impempe Yomlingo.
Photo courtesy New Victory Theater/Shakespeare Theater Company.
Wolfgang Amadeus Mozart's The Magic Flute received a decidedly African makeover this week, with the arrival of Isango Ensemble's touring company at the New Victory Theater. (The performances, which run through November 9, are in association with Carnegie Hall's ongoing South Africa-oriented Ubuntu! festival.) Retitled The Magic Flute: Impempe Yomlingo, this performance repurposed the opera's original Masonic parable as an exuberant celebration of South African township culture, with the score performed on...marimbas.

Trending on Superconductor

Translate

Share My Blog!

Share |

Critical Thinking in the Cheap Seats