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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label Irish opera. Show all posts
Showing posts with label Irish opera. Show all posts

Saturday, January 9, 2016

Opera Review: But You Can Never Leave

PROTOTYPE Festival presents The Last Hotel.
by Paul J. Pelkonen
She's ready to check out: Claudia Boyle (center) flanked by Katherine Manley (left)
and Robin Adams (right) in The Last Hotel. Photo by Teddy Wolff © 2016 PROTOTYPE Festival.
The PROTOTYPE Festival, an annual celebration of the avant-garde in opera and modern music crossed the East River on Friday night, with the New York premiere of The Last Hotel. This is a new work, a collaboration between Irish composer Donnacha Dennehy and librettist/stage director Enda Walsh. Set in a grim seaside hotel on the coast of Ireland in contemporary times, it is part exploration of life, death and uncomfortable triangular relationships. The work was presented in the newly refurbished St. Ann's Warehouse, a former tobacco storage that is now gorgeous arts space under the shadow of the Brooklyn Bridge.

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Critical Thinking in the Cheap Seats