Support independent arts journalism by joining our Patreon! Currently $5/month.

About Superconductor

Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label Exodus. Show all posts
Showing posts with label Exodus. Show all posts

Thursday, April 18, 2013

Opera Review: Hi-Def on the Nile

City Opera comes home with Mosé in Egitto.
by Paul J. Pelkonen
As Moses, baritone David Salsbery Fry (center) prepares to part the Red Sea.
Photo by Carol Rosegg © 2013 New York City Opera.
The New York City Opera launched the second half of its 2012 season this week with a new production of Rossini’s Mosé in Egitto, ("Moses in Egypt") the first of two productions at City Center this month. The show marks the company’s return to that ornate W. 55th St. theater after four decades. It is also the famously low-tech City Opera's first embrace of digital scenery, the en vogue  alternative to props, backdrops and flats.

Trending on Superconductor

Translate

Share My Blog!

Share |

Critical Thinking in the Cheap Seats