Emanuelle Haïm debuts with the New York Philharmonic.
by Paul J. Pelkonen
Say the words "baroque music" and a couple of inevitable stereotypes spring to mind. One might be a covey of court musicians, tweetling elaborate fugues for the enjoyment of mincing nobles. Another might be period performance wonks gathered in rehearsal spaces, wrestling with "authentic" wooden instruments and catgut strings in a quest to discover what music sounded like three hundred years ago.
by Paul J. Pelkonen
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| Conductor Emanuelle Haïm in flight. Photo © Askonas Holt |
