Opera Review: Sex Crime

Opera Philadelphia mounts Powder Her Face.
by Paul J. Pelkonen

Patricia Schuman as Margaret Campbell, the "dirty Duchess."
Photo by Kelly & Massa, © 2013 Opera Philadelphia.

For better or worse, the excessive lifestyle, erotic exploits and 1963 divorce proceedings of the late Margaret Campbell, the former Duchess of Argyll established the British tabloid as a journalistic institution. Thirty years later, Mrs. Campbell's tawdry affairs inspired a young British composer, Thomas Adés, to make the so-called "dirty Duchess" the subject of his first opera, Powder Her Face.

Opera Preview: Powder Her Face

She slept with 88 men...and had the Polaroids to prove it.
by Paul J. Pelkonen

Three views of Margaret Campbell, the "Dirty Duchess."
Photo montage by the author, who no longer owns a Polaroid.

The New York City Opera is back, once again operating a short split season with performances at BAM and City Center.  On Friday night, the company kicks off its 2013 season with Thomas Adés' Powder Her Face, a saucy English opera from 1995 that takes on the scandalous subject of Margaret Campbell, the Duchess of Argyll.

Known in the British tabloids as the "dirty Duchess", Mrs. Campbell hit the headlines when her 1963 divorce erupted in the courts as her husband brought forth accusations of infidelities with eighty-eight other lovers and a set of naked Polaroids including one of the Duchess engaged in oral congress with a "headless" man who might have been a son-in-law of Winston Churchill. To be fair, the Polaroids featured Mrs. Campbell still wearing her signature triple strand of pearls.