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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label Dichterliebe. Show all posts
Showing posts with label Dichterliebe. Show all posts

Tuesday, April 24, 2018

Concert Review: The Next Giant Steps

Lawrence Brownlee in a fierce Liederabend at Zankel Hall.
by Paul J. Pelkonen
Tenor Lawrence Brownlee explored 19th century and contemporary song at Zankel Hall on Tuesday night.
Photo by Shervin Lainez for Opera Philadelphia.
The American tenor Lawrence Brownlee has emerged in the past decade as one of the leading lights of the bel canto revival that has swept operatic stages in this young century. He is possessed of a memorable stage presence, formidable technique, a plangent, sweet tone and a powerful, nimble insrument. On Tuesday night, a packed Zankel Hall got to see a different side of Mr. Brownlee, as he led an exploration of the art of the song at the Carnegie Hall venue.

Wednesday, February 7, 2018

Concert Review: It is of Endings I Wish to Speak

Mathias Goerne and Daniil Trifonov in a liederabend at Carnegie Hall.
by Paul J. Pelkonen
Daniil Trifonov and Matthias Goerne brought their lieder collaboration
to Carnegie Hall on Wednesday night. Photos © the artists websites, assembly by the author.
Of all of the forms that the presentation of so-called "classical"music takes, it is the liederabend that is probably at the greatest risk. One singer, and one piano, presenting a carefully curated selection of songs by one or more composer seems quaint by the standards of this frantic century. On Tuesday night in Stern Auditorium at Carnegie Hall, bass Matthias Goerne and pianist Daniil Trifonov demonstrated that in some ways, the old ways are best.

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Critical Thinking in the Cheap Seats