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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label Casta diva. Show all posts
Showing posts with label Casta diva. Show all posts

Thursday, May 7, 2015

Maria Callas Meets the Incredible Hulk

Opera in Avengers: Age of Ultron.
by Paul J. Pelkonen
Opera lover: Mark Ruffalo is the Hulk in Avengers: Age of Ultron.
"Hulk", "Incredible Hulk" and "Avengers" are registered trademarks of Marvel Studios.
Image © 2015 Marvel Studios used for promotional purposes only.
One of the ongoing difficulties faced when writing about opera is the age-old and tired saw that opera has become irrelevant. That the work of Wagner, Verdi and Bellini has nothing to offer the 21st century and that it is a dying or worse yet, fossilized art form.

Tuesday, October 29, 2013

Opera Review: The Woman in the Moon

Angela Meade takes over the Met's Norma.
by Paul J. Pelkonen
Angela Meade (top) and Jamie Barton share a sisterly moment in Bellini's Norma.
Photo © 2013 The Metropolitan Opera.
Since the premiere of Bellini's Norma in 1831, the opera's title role has become a career statement for any soprano. Malibran, Callas, Sutherland and Sills have all essayed the part to varying degrees of success. Thanks to Hollywood and the occasional TV commercial "Casta diva" has become one of those melodies known even to those ignorant of the world of opera--the biggest hit tune in Bellini's repertory.

Tuesday, October 1, 2013

Opera Review: Under the Serious Moonlight

Norma at the Metropolitan Opera. 
by Paul J. Pelkonen
The disco 'round: Sondra Radvanovsky enters in Act I of Norma.
Photo by Marty Sohl © 2013 The Metropolitan Opera
The American soprano Sondra Radvanovsky has risen to prominence on the international stage in the last decade, with a combination of genuine acting ability and a steel-cored lyric soprano that can glide between passages of soft dolce singing and the white-hot rage required of a tragic opera heroine. All of these admirable qualities were on display Monday night, as Ms. Radvanovsky sang her first Norma at the Met. This was the first revival of the Bellini opera in six years, and another step toward superstardom for this talented American soprano.

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Critical Thinking in the Cheap Seats