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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label Breaking the Waves. Show all posts
Showing posts with label Breaking the Waves. Show all posts

Saturday, December 30, 2017

The Year in Reviews 2017: The Best Operas

Superconductor picks the ten best opera performances of 2017. 
by Paul J. Pelkonen
We end the Year of the Rooster with ten clucky I mean lucky operas.
(For Part One of The Year in Reviews 2017 click here.)
It wasn't easy.

From the opening salvo of the Prototype Festival to the year-ending scandals that engulfed the careers and sullied the reputations of two internationally famous conductors, 2017 was a turbulent year in the opera world. A lot of performances had to be picked through for the following list of ten, and we're sure that we missed a couple of worthy honorable mentions.

Chronological order, and all links go to full reviews on Superconductor.

Tuesday, January 10, 2017

Opera Review: A Sea of Troubles

Breaking the Waves sails into New York.
by Paul J. Pelkonen
Jan (John Moore) and Bess (Kiera Duffy) go to the altar in the first act of Breaking the Waves.
Photo by Dominic M. Mercier © 2016 Opera Philadelphia.
The Danish filmmaker Lars von Trier is a master of human misery, exploring the depths of men and women in a four decade career. His 1996 film Breaking the Waves is the inspiration for the opera of the same name by composer Missy Mazzoli. First mounted last fall at Opera Philadelphia, Waves is the centerpiece of the 2017 PROTOTYPE Festival, celebrating contemporary opera here in New York City. It is the second opera based on von Trier's "Golden Heart Trilogy", following Selma Jezková, which composer Poul Ruders based on Dancer in the Dark.

Wednesday, January 4, 2017

Festival Preview: 2017 Prototype Festival


Femme fatales, infidelity, gross anatomy and yes...opera!
by Paul J. Pelkonen
This conceptual image for Julian Wachner's Rev. 23 promises a hot two weeks
of avant-garde opera at the fifth annual Prototype Festival.
Image © 2017 Prototype Festival.
New York's celebration of avant-garde opera in the dead of winter returns for its fifth season with the eagerly awaited New York premiere of Breaking The Waves as the marquee event. There are six new works being performed, plus one being workshopped. In addition, the Festival offers pop-up concerts, music, dance, multimedia presentations and the odd swanky soirée.

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