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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label Beatrice Rana. Show all posts
Showing posts with label Beatrice Rana. Show all posts

Saturday, June 8, 2019

Concert Review: The Follies of Youth

The Philadelphia Orchestra at Carnegie Hall.
by Paul J. Pelkonen
Beatrice Rana onstage at Carnegie Hall with members of the Philadelphia Orchestra in the background.
Photo by Paul Vincent. 
Yannick Nézet-Séguin and the Philadelphia Orchestra returned to Carnegie Hall on Friday night for the last of their appearances this season. For this program, Mr. Nézet-Séguin chose a pair of mostly forgotten and badly neglected early works by prominent Russian composers Igor Stravinsky and Sergei Rachmaninoff. These Russian rarities flanked the more familiar Third Piano Concerto by Serge Prokofiev with soloist Beatrice Rana.

Tuesday, August 8, 2017

Concert Review: New Blood for Old Masters

Beatrice Rana plays Mostly Mozart.
by Paul J. Pelkonen
The young virtuoso Beatrice Rana took Mostly Mozart by storm.
Photo courtesy Warner Brothers Classics.
The music of Bach and Beethoven form a rite of passage for any young pianist. Playing the challenging works of these composers before a paying audience (as Beatrice Rana did last week at Mostly Mozart) is a further test. On Friday night, Ms. Rana made her festival debut with two performances: a preliminary concert featuring Bach's Partita No. 2 in c minor and the main event: a performance of Beethoven's Piano Concerto No. 1.

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Critical Thinking in the Cheap Seats