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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label Bach Collegium Japan. Show all posts
Showing posts with label Bach Collegium Japan. Show all posts

Friday, March 8, 2013

Concert Review: The Bridge of a Hundred Years

The New York Philharmonic opens The Bach Variations.
by Paul J. Pelkonen
Bach man turned in overdrive: the conductor Masaaki Suzuki.
Image © BIS Classics/Naxos North American Distribution.
The New York Philharmonic is not the first ensemble one thinks of for the performance of sacred music by Johann Sebastian Bach. This month, the orchestra is working to correct that perception with The Bach Variations, a multi-disciplinary festival exploring multiple facets of that composer’s vast body of work.

For these first concerts, (seen Wednesday night at Avery Fisher Hall) the orchestra was joined by two vocal groups: the Tokyo-based Bach Collegium Japan and the Schola Cantorum from Yale University. All three groups performed under the leadership of Masaaki Suzuki,, a Japanese period performance specialist who is the music director of both choral groups. This was his first appearance with the Philharmonic. A quintet of vocal soloists including Indian soprano Sheherazade Panthaki, countertenor Iestyn Davies and tenor Nicholas Phan sang the leading parts as needed.

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