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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label Augustin Hadelich. Show all posts
Showing posts with label Augustin Hadelich. Show all posts

Saturday, October 26, 2013

Concert Review: Just Desserts

The Philadelphia Orchestra indulges its sweet tooth.
by Paul J. Pelkonen

Rafael Frühbeck de Burgos. Photo by Steven J. Schwartz, courtesy of the Philadelphia Orchestra.

Sometimes you just get to see an orchestra do what they do best.

On Friday afternoon, the Philadelphia Orchestra offered the second of three concerts under the baton of Rafael Frühbeck de Burgos, the 80-year-old Spanish conductor whose specialties include the music of the late Romantic era and the early 20th century. This program of Lalo, Debussy and Ravel displayed all of its performers at the highest possible level. It is also a milestone for Mr. Frühbeck's storied career, as this year marks his 150th appearance with this storied orchestra.

Friday, October 19, 2012

Concert Review: The Frantic Romantic

Lalo and Berlioz at the Philharmonic
by Paul J. Pelkonen
A man and his Stradivarius: Augustin Hadelich.
Photo from the artist's website.
The Spanish conductor Rafael Frühbeck de Burgos opened a two-week stand at the New York Philharmonic on Thursday night. The program played to this conductor's strengths, exploring two intricately connected works of 19th century French repertory: the Symphonie espagnole by Édouard Lalo and Hector Berlioz' evergreen Symphonie fantastique.

Despite its title, Lalo's "symphony" is actually a violin concerto, written for (and premeired by)  violinist Pablo de Sarasate in 1875. Lalo's work falls in with the French craze for music with Spanish seasoning, incorporating the solo violin part in five sunny movements that evoke the most picturesque aspects of Iberian life.

The solo part was played by the talented Augustin Hadelich, a violinist who overcame serious injuries from a fire in his teenage years to emerge as a brilliant artist. Mr. Hadelich played with a clean, rich tone that soared into the highest registers of the instrument before diving earthward in a series of ever-more-complicated runs. Sensitively accompanied by Mr. Frühbeck, this performance made a good case for works by Lalo to be heard more often.

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