Lock the Door and Hit the Floor!
(And by that I mean, Merry X-MAS!)
by Paul J. Pelkonen
'Twas less than a week before Christmas,
And all 'cross the Net,
Shoppers were realizing,
that their lists were not set.
In other words (and with apologies to Clement Clark Moore, we proudly present our annual guide to the best in new recordings and boxed sets for that hard-to-please classical music lover on your lis(z)t this year.
New Complete Operas:
(And by that I mean, Merry X-MAS!)
by Paul J. Pelkonen
 |
| Robot Santa trapped in ice. 'Cos it's been that kind of year. Image from Futurama © Matt Groening/30th Century Fox Television. |
'Twas less than a week before Christmas,
And all 'cross the Net,
Shoppers were realizing,
that their lists were not set.
In other words (and with apologies to Clement Clark Moore, we proudly present our annual guide to the best in new recordings and boxed sets for that hard-to-please classical music lover on your lis(z)t this year.
New Complete Operas:
Don Giovanni (Deutsche Grammophon, 2012)
This live recording from Baden-Baden offers the opportunity to hear an all-star cast of young singers, drawn from the current generation of stars. Diana Damrau, Joyce Di Donato, Ildebrando d'Arcangelo and Rolando Villazon spangle this energetic set, the first of a planned cycle of major Mozart operas on Deutsche Grammophon.
Tristan und Isolde (PentaTone, 2012)
The newest and best of Marek Janowski's half-completed survey of the ten mature Wagner operas, made in a live setting with the Berlin Radio Symphony Orchestra. The reason to hear this set is soprano Nina Stemme, whose powerhouse Isolde veers from seething rage to passionate ecstasy. Mr. Janowski has the pulse of this unique score in a crystal-clear recording that benefits from the presence of a live audience.
The Bartered Bride (harmonia mundi, 2012)
The BBC Symphony Orchestra offers this energetic recording of Smetana's comedy, a work which none other than Gustav Mahler elevated to a repertory standard. The use of the original language preserves much of the opera's humor and rhythm, helped by an authentic Czech cast.
