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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label Aix-en-provence. Show all posts
Showing posts with label Aix-en-provence. Show all posts

Wednesday, August 12, 2015

Opera Review: It's in the Fine Print


Written on Skin premieres at Mostly Mozart.
by Paul J. Pelkonen
Protection: The Protector (Christopher Purves) and his wife (Barbara Hannigan) in a domestic moment
from Written on Skin. Photo by Pascal Victor for Artcomat © 2013 Festival d'Aix-en-Provence.
What goes around, comes around. That aphorism might be applied to George Benjamin's Written on Skin, which had its long-awaited New York debut Tuesday night on the stage of the David Koch Theater at Lincoln Center.The composer's second effort in the genre, Skin (presented here in a production imported from Aix-en-Provence) is the central operatic offering of this summer's Mostly Mozart Festival, a work that tries to establish a new style for the 21st century by drawing on the ideas and concepts of a century ago.

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