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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label Age of Anxiety. Show all posts
Showing posts with label Age of Anxiety. Show all posts

Thursday, April 12, 2018

Concert Review: The Coming of the Great Darkness

Andris Nelsons and the BSO arrive at Carnegie Hall
by Paul J. Pelkonen
Harvesters of sorrow: Andris Nelsons (left) and Jean-Yves Thibaudet (seated, right)  collaborate on The Age of Anxiety.
Photo from the March 23 concert at Symphony Hall © 2018 The Boston Symphony Orchestra.
The Boston Symphony Orchestra is flourishing under the leadership of music director Andris Nelsons. Ensemble and music director arrived at Carnegie Hall on Wednesday night for the first of three concerts this week, fulfilling their yearly obligation to visit that historic stage and offering New Yorkers a sample of the interesting new directions pursued by this brave and ambitious conductor.

Monday, November 6, 2017

Concert Review: A Calmer, Simpler, More Nervous Time

Alan Gilbert revisits The Age of Anxiety.
by Paul J. Pelkonen
Very, very nervous: Makoto Ozone (at piano) and conductor Alan Gilbert bring The Age of Anxiety
to the New York Philharmonic. Photo by Chris Lee © 2017 New York Philharmonic.
Americans who do not live in the bubbling cauldron of New York City, claim to long for a simpler, easier time. When picket fences were white, the mail was delivered regularly, and people's lives echoed the covers of trite magazines sold in supermarket checkout lines. However, New Yorkers know different. That difference was on proud display Saturday night as Alan Gilbert led the second of three programs at the New York Philharmonic dedicated to the music of Leonard Bernstein.

Friday, March 13, 2015

Concert Review: The Young Person's Cure for Anxiety

The NJSO plays a matinee of Bernstein and Mahler. 
by Paul J. Pelkonen
The pianist Kirill Gerstein played Thursday afternoon with the
New Jersey Symphony Orchestra. Photo courtesy the NJSO.
The composer Leonard Bernstein was a pivotal figure in the 20th century, not just for his own catalogue of symphonies, musicals and operas, but for his work as a conductor. It was Bernstein who brought the large and muscular symphonies of Gustav Mahler to the attention of the general public, eventually making Mahler a cornerstone of the symphonic repertory. On Thursday afternoon, it was the turn of the New Jersey Symphony Orchestra and music director Jacques Lacombe to bring Bernstein's little-played Symphony No. 2 before their Newark public.

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