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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label 2017 Festival. Show all posts
Showing posts with label 2017 Festival. Show all posts

Saturday, January 28, 2017

Concert Review: Some Sentimental Hygiene

Semyon Bychkov opens the New York Philharmonic's Tchaikovsky Festival.
by Paul J. Pelkonen
Pianist Yefim Bronfman, concertmaster Frank Huang (with violin) conductor Semyon Bychkov (standing) and cellist Carter Brey work through Tchaikovsky's Piano Concerto No. 2. Photo by Chris Lee © 2017 The New York Philharmonic.

Piotr Ilyich Tchaikovsky is arguably the most popular composer to come out of Russia in the 19th century. His blend of traditional folk-like themes with Western classical structures remains appealing to the ear, and the unfettered Romantic sensitivity of his music makes him a box office draw. The New York Philharmonic chose him for the focus of this year's series of festival concerts, but in doing so may not have gotten what New Yorkers expect.

Wednesday, January 4, 2017

Festival Preview: Bruckner Symphony Cycle

Daniel Barenboim and the Berlin Staatskapelle at Carnegie Hall.
by Paul J. Pelkonen
Daniel Barenboim conducts the Berlin Staatskapelle.
Photo © 2016 Accentus Music and the Berlin Staatskapelle.
On January 19, conductor Daniel Barenboim ends a four-year absence from Carnegie Hall with a first for that historic venue. He will lead the Berlin Staatskapelle in a cycle of nine numbered symphonies by Anton Bruckner and major piano concertos by Wolfgang Amadeus Mozart.

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