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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2018 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.

Monday, March 19, 2018

Theater Review: The High Price of Beauty

Farinelli and the King on Broadway.
by Paul J. Pelkonen
Tragic kingdom: Sam Crane and Mark Rylance in the titular roles of Farinelli and the King.
Photo © 2018 Shakespeare's Globe Theatre.

Those of you who regularly read Superconductor know that the dramatic stage, that is, the one without an orchestra or singing is not the normal demesne of this publication. However, thanks to the good offices of my friend Amy M., your humble correspondent found himself at Saturday night's performance of Farinelli and the King. This play, produced by Shakespeare's Globe of London and written by that company's resident composer Claire van Kampen, opened on Broadway in December after a successful London run. (It closes at the Belaco Theater on March 25.)

Saturday, March 17, 2018

Metropolitan Opera Preview: Lucia di Lammermoor

The blood-stained bride returns to the Met stage.
by Paul J. Pelkonen
"Well, the bride was a picture in the gown that her mama wore
When she was married herself nearly twenty-seven years before
They had to change the style a little but it looked just fine
Stayed up all night, but they got it finished just in time." --Nick Lowe
Everything dies: Vittorio Grigolo and Olga Peretyatko in Lucia di Lammermoor.
Photo © 2018 Richard Termine for the Metropolitan Opera.
The Met revives Mary Zimmerman's controversial, deeply weird and really fun take on Donizetti's Lucia di Lammermoor, for some the ultimate expression of the bel canto style. And yes, this is the opera with the blood-splattered wedding dress.

Friday, March 16, 2018

Opera Review: Mugging on the Boardwalk

The Met takes Cosí fan tutte to Coney Island.
by Paul J. Pelkonen
Motel illness: Kelli O'Hara, Christopher Maltman, Adam Plachetka, Ben Bliss, Serena Melfi and Amanda Majeski
in a frantic Act I moment from Così fan tutti. Photo by Marty Sohl © 2018 The Metropolitan Opera.
How do you solve the problem of presenting an opera that forces men and women into the stereotypes of the 18th century to a 21st century audience? If you're director Phelim McDermott, whose dazzling new Cosí fan tutte arrived at the Metropolitan Opera on Thursday night, you roll the score in glue, dip it in glitter, and hope for the best. Mr. McDermott's staging is a co-production with the English National Opera. It moves the show to Coney Island some time in the 1950s. The effect is sweet, sugary and yet strangely empty, like substituting cotton candy for your dinner after a night out on the Boardwalk.

Thursday, March 15, 2018

Concert Review: Dead Man's Party

Lara St. John and Matt Herskowitz rock The Crypt Sessions.
by Paul J. Pelkonen
Underground music: Matt Herskowitz and Lara St. John entombed.
Photo by Andrew Ousley for The Crypt Sessions.
At last night's installment of The Crypt Sessions, the esteemed series of chamber music and concert recitals that takes place in the sepulchre of the Church of the Intercession at W. 155th St. and Broadway, host (and curator) Andrew Ousley staked the claim that the Canadian violinist Lara St. John was a "force of nature." The violinist, in concert with her performing partner Matthew Herskowitz, was offering something special in the house of the dead. The program was Lavuta an hourlong mixtape of fiddle tunes and folk-inspired music from Eastern Europe, covering a vast triangle of land from Moscow to Jerusalem to Budapest. 

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Critical Thinking in the Cheap Seats

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Since 2007, Superconductor has grown from an occasional concert or CD review to a near-daily publication covering classical music, opera and the arts in and around NYC, with excursions to Boston, Philadelphia, and upstate NY. I am a freelance writer living and working in Brooklyn NY. And no, I'm not a conductor.