Support independent arts journalism by joining our Patreon! Currently $5/month.

About Superconductor

Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.

Saturday, January 30, 2016

Concert Review: Crooks and Wires

Anima Eterna Brugge arrives at Lincoln Center.
by Paul J. Pelkonen
Crooked: the horns of Anima Eterna Brugge.
Photo © 2015 Sydney Festival
The practice of performing classical music on instruments either built or designed in the 18th century is not a new one. It is refreshing to hear familiar music on unfamiliar instruments: wood-and-ivory flutes, cat-gut violins and natural brass horns, which require the players to manually switch between different-lengthed tubes of brass (called "crooks") in order to alter the range of available notes. On Thursday night, one such specialist orchestra made its U.S. debut: Anima Eterna Brugge.

Friday, January 29, 2016

Concert Review: Brought To You By The Letter "B"

Juanjo Mena conducts Beethoven and Bruckner.
by Paul J. Pelkonen
In search of transcendence: conductor Juanjo Mena.
Photo © 2016 Columbia Artists Management Inc.
On the same day that the New York Philharmonic announced the appointment of Jaap van Zweden as its 26th music director, the orchestra was scheduled to perform two classic works from the 19th century. On the podium, Juanjo Mena, the Spanish conductor who is music director of the BBC Philharmonic. He was leading the Beethoven Violin Concerto (with soloist James Ehnes) and Bruckner's Symphony No. 6, a lesser-known example of that composer's art. Interestingly, this is the type of conservative program that might be ideally suited to Mr. van Zweden's talents.

Thursday, January 28, 2016

Concert Review: He Carries a Big Shtick

The Philadelphia Orchestra plays Haydn and Bruckner.
On the podium: Yannick Nézet-Séguin.
Image courtesy the Philadelphia Orchestra.
The concert began with a little bit of theater. 

As music director Yannick Nézet-Séguin stepped onto the podium at Carnegie Hall, Philadelphia Orchestra principal timpanist Don Liuzzi unleashed the opening notes of Haydn’s Symphony No. 103,  Mr. Nézet-Séguin jumped back in mock shock, clutching the brass rail of the podium, before giving the strings their downbeat to launch the opening bars of this symphony, which is nicknamed the "Drum Roll."

Wednesday, January 27, 2016

Diamonds Are Forever

Jaap van Zweden is the Philharmonic’s next music director.
by Paul J. Pelkonen
Jaap van Zweden is the 26th music director of the New York Philharmonic.
Photo by Hans van der Woerd for the Netherlands Radio Philharmonic Orchestra.
At last there is white smoke coming from David Geffen Hall. In a press conference Wednesday morning, the New York Philharmonic announced that Jaap van Zweden would become the orchestra’s next music director, succeeding Alan Gilbert at the helm of America’s oldest professional symphony orchestra. He will be the 26th music director in the orchestra’s illustrious 174-year history.

Trending on Superconductor

Translate

Share My Blog!

Share |

Critical Thinking in the Cheap Seats