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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2016 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.

Wednesday, December 30, 2009

And now our guest columnist: Richard Strauss!

Richard Strauss on the podium

The son of an acclaimed horn player, Strauss was a famous conductor as well as a composer, leading his own works and acclaimed performances of Wagner, Mozart and many others. He had a short baton, a small beat, a professional attitude, and a razor-sharp wit. (If you don't believe me, watch this footage of Dr. Strauss conducting a rehearsal of Der Rosenkavalier.) With that in mind, we present his

Ten Golden Rules For the Album of a Young Conductor
(originally written in 1925)
  1. Remember that you are making music not to amuse yourself, but to delight your audience.

  2. You should not perspire when conducting. Only the audience should get warm.

  3. Conduct Salome and Elektra as if they were by Mendelssohn: Faerie music.

  4. Never look encouragingly at the brass, except with a brief glance to give an important cue.

  5. But never let the horns and woodwinds out of your sight. If you can hear them at all, they are still too strong.

  6. If you think that the brass is now blowing hard enough, tone it down another shade or two.

  7. It is not enough that you yourself should hear every word the soloist sings. You should know it by heart anyway. The audience must be able to follow without effort. If they do not understand the words, they will go to sleep.

  8. Always accompany the singer in such a way that he can sing without effort.

  9. When you think you have reached the limits of prestissimo, double the pace.*

  10. If you follow these rules carefully, you will, with your fine gifts and your great accomplishments, always be the darling of your listeners.
* Amended in 1948: Today I should like to amend this: take the tempo half as fast. (Mozart conductors, please note!)

Originally published in Reflections and Recollections by Richard Strauss. © 1949 Cambridge University Press.
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Critical Thinking in the Cheap Seats

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Since 2007, Superconductor has grown from an occasional concert or CD review to a near-daily publication covering classical music, opera and the arts in and around NYC, with excursions to Boston, Philadelphia, and upstate NY. I am a freelance writer living and working in Brooklyn NY. And no, I'm not a conductor.