Support independent arts journalism by joining our Patreon! Currently $5/month.

About Superconductor

Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.

Monday, May 6, 2019

Concert Review: Mister Lovejoy

David Robertson brings the Turangalîla-Symphonie to Juilliard.
by Paul J. Pelkonen
David Robertson leads the Juilliard Orchestra. Photo by Jennifer Taylor.

It is one of the seminal symphonic works of the 20th century but  Olivier Messiaen's Turangalîla-Symphonie has always struggled to find its audience. Of massive length and requiring an army of skilled musicians, this hybrid of symphony and concerto has in the past cleared halls of would-be listeners or been avoided by concert subscribers altogether. On Friday night conductor David Robertson led the expanded forces of the Juilliard Orchestra in this huge ten-movement work. Despite the technical difficulty of music this was a performance brimming with love, joy and the enthusiasm of an orchestra come priced entirely of conservatory students.

Saturday, May 4, 2019

Concert Review: Yankees vs. Twins

The Labèque twins return to the New York Philharmonic.
by Paul J. Pelkonen
Just don't ask us which is which: the piano playing sisters Katia and Marielle Labèque.
Photo by Brigitte Lacombe.
They walked out onstage together, each in sleek, close-fitting leather pants. One wore a nipped white jacket and a black blouse. The other wore the reverse colors. Each took a seat opposite the other at the two twin Steinway pianos that sat, spooned together on the stage of David Geffen Hall. This week the New York Philharmonic welcomed back Katia and Marielle Labèque, the twin virtuoso pianists who always play together.

Friday, May 3, 2019

Concert Review: A Party of One

Michael Tilson Thomas has a big night at Zankel Hall.
by Paul J. Pelkonen
Michael Tilson Thomas elbows a score. Photo by Art Streiber.
The classical music world is a place where absolute power can rest in the hands (or the pen) of a single individual. On Thursday night at Zankel Hall, Michael Tilson Thomas (who is one of those individuals who is allowed such a privilege) was allowed an exercise in that kind of power. The composer, conductor and educator hosted this concert featuring pianist Yuja Wang and members of his Miami-based training orchestra the New World Symphony. He led the orchestral performances in its first and second half. And he wrote a good deal of the music performed.

Thursday, May 2, 2019

Concert Review: Return to Fun City

Michael Tilson Thomas comes back to Carnegie Hall.
by Paul J. Pelkonen
MTT: Michael Tilson Thomas on the podium.
Photo courtesy the San Francisco Symphony.
The composer, conductor and educator Michael Tilson Thomas returned to Carnegie Hall last night for the first of two concerts that will end his Perspectives series, the year-long residency that started on opening night of this season in October of 2018. These performances feature the New World Symphony, the Miami-based training orchestra that he helped found in 1987. Although its members are transient--graduate students mostly en route to full time orchestra positions in the fullness of time, MTT's players are professional quality. They proved it last night.

Trending on Superconductor

Translate

Share My Blog!

Share |

Critical Thinking in the Cheap Seats