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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.

Thursday, September 13, 2018

Concert Review: Journey to the Center of the Soul

The New York Philharmonic drinks our milkshake.
by Paul J. Pelkonen
Pipe line: Daniel Day Lewis in There Will be Blood.
Image © 2008 Ghoulardi Film Company, Paramount and Miramax.

Ten years ago, Paul Thomas Anderson's There Will Be Blood rumbled, whistled and roared into movie theaters, anchored by a heaven-storming performance by Best Actor winner Daniel Day-Lewis and the American sense of guilt and horror that this nation's relentless march of progress has left in its very wide wake. On Wednesday night, the New York Philharmonic opened its annual Art of the Score Festival with the orchestra's first performance of the film's complete score, a polyglot creation anchored around the music of composer Jonny Greenwood. Conductor Hugh Brunt made his podium debut.

Saturday, September 8, 2018

The Bernstein Legacy VII: Mahler's Seventh Symphony

The Symphony No. 7 was the first installment in Leonard Bernstein's Mahler cycle.
by Paul J. Pelkonen
A nocturna; triptych: the cover art of the 1985 Mahler Seventh, the composer (right) and a feathered friend.
Art by Erte © 1985 Deutsche Grammophon/UMG

It all started here. This recording of Mahler's Symphony No. 7, made Dec. 3, 1985 with the New York Philharmonic in the dry and less than legendary acoustics of (what was then called) Avery Fisher Hall, was the first of Leonard Bernstein's final cycle of Mahler symphonies for Deutsche Grammophon, a series that the great conductor and composer would work on for the rest of his life. And it's a winner.

Thursday, September 6, 2018

2018-19 Great Performers Season Preview

British orchestras and chamber music are the focus of Great Performers.
by Paul J. Pelkonen
Esa-Pekka Salonen returns to New York next year to conduct the Philharmonia Orchestra.
Photo © Philharmonia Orchestra.
When Lincoln Center was established as New York's mecca for the performing arts, it became home to the Metropolitan Opera, the New York Philharmonic and the New York City Ballet. However, it soon became apparent that there was need for an in-house performing arts series, inviting international orchestras and soloists from around the globe. The Great Performers series is no longer the flagship it once was, but it still provides the opportunity to hear international orchestras in a posh setting.

Tuesday, September 4, 2018

2018-19 Season Preview: There Will Be (New) Blood

Jaap van Zweden and Deborah Borda take the reins at the Philharmonic.
by Paul J. Pelkonen
Welcome to the jungle: Jaap van Zweden takes over at the Philharmonic.
Photo by Chris Lee © 2018 The New York Philharmonic.
The New York Philharmonic's upcoming season features a diverse slate that sees americas oldest orchestra dispensing with a few less popular initiatives while opening a few that will hopefully fill seats, and accelerating the orchestra’s transition from the Alan Gilbert era to the stewardship of its new music director, Jaap van Zweden.

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Critical Thinking in the Cheap Seats