Concert Review: The Children of the Revolution

The NYO2 in concert at Carnegie Hall.
by Paul J. Pelkonen

All hands: The dapper Gil Shaham shows the tools of his trade.
He played Carnegie Hall with the NYO2 on Tuesday night.

The orchestra training initiative undertaken five years ago by Carnegie Hall's Weill Music Institute has been an unqualified success. On Tuesday night, as the National Youth Orchestra of the United States took the stage in a theater in China, it was the turn of NYO2, the supplementary training orchestra featuring performers from the age of 14-17 to take on the task of performing at Carnegie Hall.

Obituary: Glen Roven (1958-2018)

The composer, conductor, producer and arranger died today.
by Paul J. Pelkonen

Glen Roven. Publicity photo by Ahron R. Foster
© 2018 Roven Records.

If you work in this business long enough, you meet some extraordinary people. Some of them even  become your friends. That said, I am shocked and saddened to write this afternoon that Glen Roven has died. The composer, producer and conductor had just turned 60 years old. The cause of death is not known at press time.

The Bernstein Legacy II: Mahler's Resurrection Symphony

The dead rise from their graves...slowly at Lincoln Center.
by Paul J. Pelkonen
Part II of an ongoing series on Superconductor.
(Ed. Note: A helpful reader pointed out that this recording was indeed made with the New York Philharmonic and not the Royal Concertgebouw as previously stated. This error was sourced from the Leonard Bernstein discography and has been corrected in the text below.)

Gustav Mahler (left), Leonard Bernstein (right) and the cover art by Erte for the Mahler Symphony No. 2.
Images © Deutsche Grammophon, the estate of Erte, and the New York Philharmonic.

For Leonard Bernstein, the Symphony No. 2 by Gustav Mahler became a calling card. It was heavily featured throughout his podium career, both in his days leading the New York Philharmonic and in the later years on the international conducting circuit. His recording of the Second for Deutsche Grammophon was made with the New York Philharmonic, his second with that orchestra. The New York Philharmonic one of three participating orchestras in what is referred to as his "second" Mahler cycle but is really his third.

Opera Review: One Step Forward, Two Steps Back

Handel's Atalanta bows at Caramoor. 
by Paul J. Pelkonen

The Philharmonia Baroque Orchestra with Nicholas McGegan at its center.
Photo by Suzanne Karp.

When an arts festival goes through a major change of direction, there are always bumps and bruises. At Caramoor, which has operated on the Rosen estate in Katona New York for seventy-three years, those bruises are starting to show. There is a new artistic administrator on the campus: Kathy Schuman, formerly of Carnegie Hall. Gathering places and social areas are being renovated. And the festival's crown jewel, its opera series, has undergone the most rigorous change of all.