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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.

Monday, July 31, 2017

Opera Review: Tsarface

The Time of Troubles comes to Bard College with Dimitrij.
by Paul J. Pelkonen
Family snapshot: the false tsar Dimitrij (Clay Hilley, center)
flanked by Marfa (Nora Sourouzian) and Marina, his wife (Melissa Citro).
Photo courtesy Bard College and Bard SummerScape.

The operas of Antonín Dvorak are central to the repertory in that composer’s native land, but apart from Rusalka, remain neglected here in the United States. That may change after this weekend, when Bard SummerScape offered the first fully staged U.S. Performances of Dimitrij. Planned to be Dvorak's breakthrough international success, this opera is his most ambitious stage work: an absorbing, turbulent drama chronicling the start of the Time of Troubles, the most turbulent period in Russian history,

Sunday, July 30, 2017

The Total Perspective Vortex

Strauss, Nietzsche and Ein Alpensinfonie
by Paul J. Pelkonen
The climactic moment of Strauss' Ein Alpensinfonie.

Before he rose to fame as the creator of operas like Salome, Elektra and Der Rosenkavalier, Richard Strauss was famed for his tone poems. Of these, his last and most ambitious is Ein Alpensinfonie from 1915. It is a mind-boggling 22-movement work which follows some of the conventions of a proper symphony but is designed to be played as one single unit, telling the story of a day's journey up an Alp in his native Bavaria.

Friday, July 28, 2017

Death, Congress and Tosca

On Twitter with Puccini and the banality of evil.
by Paul J. Pelkonen

Cover art for the CD issue of the 1980 Karajan Tosca.
Image © 1980 Deutsche Grammophon/UMG.
It started because I couldn't sleep.

Tonight was the super-stealthy midnight vote by the Republican Party to enact a so-called "skinny repeal" of the Affordable Care Act, the health care achievement by President Barack Obama that has enabled me to continue my career both as a freelance writer and as the author of Superconductor, my very own classical music publication that you're reading if you're reading this right now.

Thursday, July 27, 2017

Opera Preview: Dimitrij

Superconductor delves into "The Time of Troubles" and Dvořák's opera.
by Paul J. Pelkonen
The incident that started it all: Ivan the Terrible (top) holds his dying son Ivanovich.
Painting by Vadim Repin. 
The biggest opera premiere of the summer is this Friday evening, when Bard SummerScape unveils the rarely performed Dmitrij by Antonín Dvořák. Dmitrij is a Czech opera that delves into a bloody and to historians, fascinating period: the Time of Troubles. With the premiere scheduled for Friday night, I thought it would be a good idea to delve into the history of Dmitrij, and its more famous "prequel": Mussorgsky's Boris Godunov.

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Critical Thinking in the Cheap Seats