There Ain't No Brotherly Love

The Philadelphia Orchestra strikes on opening night.

by Paul J. Pelkonen

Update: the strike is over.

This is the only conductor appearing at Verizon Hall,
the home of the Philadelphia Orchestra. Photo alteration by the author.

The Philadelphia Orchestra, which began this decade mired in bankruptcy proceedings, went on strike tonight, effectively killing its opening night gala concert for attendees and donors. The musicians of the orchestra sent a press release to Superconductor at 7:10 this evening, announcing their decision. Tonight marked the official opening of the orchestra's season with a gala concert at the Kimmel Center. That concert, which would have featured works by Ravel, Gershwin and Ottorino Respighi's The Pines of Rome, was cancelled.

Metropolitan Opera Preview: L'Italiana in Algeri

Rossini's culture-clash comedy returns, conducted by James Levine.
by Paul J. Pelkonen

Bass Ildar Abdrazakov is Mustafa in the Met revival of L'Italiana in Algeri.
Photo by Ken Howard © 2016 The Metropolitan Opera.

Although Il Barbiere di Siviglia is Rossini's best known comedy, L'Italiana in Algeri just might be his funniest. Ildar Abdrazakov is Mustafa, the Bey of Algiers opposite debut artists Marianna Pizzolato and René Barbera as the lovers Isabella and Lindoro. James Levine conducts the revival of this opera buffa rarity starring  in the title role. This is the first Met run of this opera since 2004.

The Mozart Project: Don Giovanni

Comedy and terror walk side by side in Mozart's dramma giocoso.
by Paul J. Pelkonen

The statue of the Commendatore (voice of John Tomlinson) makes his entrance in Don Giovanni as staged
by Twyla Tharp in the film Amadeus. Image © 1984 The Saul Zaentz Company.

For many writers, musicians and composers of the 19th century, Mozart's opera Don Giovanni stood at the very top of the operatic pyramid. It is amusing, terrifying, sexy, and deeply human. And it is unique among operas for its approach: rollicking comedy that is interrupted by the interference of a higher power, set to the scariest music that Mozart ever wrote.

Opera Review: Fireproof

Simon Keenlyside makes a comeback as Don Giovanni.
by Paul J. Pelkonen

The statue of the dead Commendatore (Kwangchal Youn, left) takes Don Giovanni 
(Simon Keenlyside) down to Hell as Leporello (Adam Plachetka) cowers on the right.
Photo by Marty Sohl © 2016 The Metropolitan Opera.

The Metropolitan Opera's current production of Don Giovanni, introduced at the opera house by director Michael Grandage in 2011 is an uninspired, ugly hash with a some impressive, yet noisy fire effects at the end. And yet, Mozart's opera remains immortal. Its music, when properly delivered, would work if the singers were in burlap sacks with paper bags over their heads, an image one must be cautious with lest it inspire some young theater director looking to mount Don Giovanni in the future.