Metropolitan Opera Preview: Jenůfa

Leoš Janáček's harrowing drama of Czech village life returns.
by Paul J. Pelkonen

Oksana Dyka in the title role of Jenůfa, opening at the Met on Oct. 28.
Photo by Ken Howard © 2016 The Metropolitan Opera.

The last time the Met staged its production of Jenůfa, Karita Mattila shone in the title role. Now, the Finnish diva graduates to the role of the Kostelnicka, the original operatic stepmother from hell. t
his bucolic tragedy is one of Janáček's masterpieces and the opera tht made the Czech composer a sensation late in life.

Opera Review: The Full (Digital) Verdi

The Met outdoor broadcast series does Il Trovatore.
by Paul J. Pelkonen

Passions writ large: Dmitri Hvorostovsky (left) woos Anna Netrebko in Act IV of Il Trovatore.
Photo © 2016 The Metrropolitan Opera.

Not every opera reviewer can see every important revival at the Metropolitan Opera. (It's even harder when that house continues its practice of keeping hard-working bloggers out of its press seats.) A major gap was corrected last night when this writer finally got a chance to see last year's searing revival of Il Trovatore, with Anna Netrebko, Dmitri Hvorostovsky, Dolora Zajick and Younghoon Lee squaring off in Verdi's most passionate opera. Il Trovatore is a repertory staple, but one that is hard to bring off as a full success. Under the baton of Marco Armiliato, this quartet of singers succeeded.

The Mozart Project: Le Nozze di Figaro

Mozart's high-speed comedy of domestic chaos yields infinite rewards.
by Paul J. Pelkonen

The measuring tape and bonnet from the opening scene of The Marriage of Figaro.
Image collage by the author.

It was really hard to start writing this newest Superconductor Audio Guide devoted to five great recordings of Mozart's Le Nozze di Figaro. It is an opera that (for this writer anyway) cures all ills. Not only does this mix of genuine pathos and knockabout comedy have some of Mozart's most sublime writing for the voice, but its message that the little guy can have his day and defeat the evils of patriarchy and patronage still resounds, inspired and comforts listeners today.

Concert Review: Cherry Moon Rising

Burnt Sugar Arkestra throws a Parade at Lincoln Center.
by Paul J. Pelkonen

Members of Burnt Sugar the Arkestra Chamber paint Lincoln Center purple.
Photo anonymous, from the group's Facebook page. © 2016 Burnt Sugar Arkestra.

It was a wake, a gospel revival, and a celebration of the life of an American musical genius. Last night, Burnt Sugar the Arkestra Chamber played a free concert in the David Rubenstein Atrium at Lincoln Center, with all sixteen musicians and singers delivering a smoking and soulful tribute to one Prince Rogers Nelson, the Minneapolis singer, songwriter, composer and multi-instrumentalist whose death earlier this year rocked an already reeling and shuddering world.