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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label Showtime. Show all posts
Showing posts with label Showtime. Show all posts

Monday, June 15, 2015

"It Must Have Been the Wagner."

Opera, eroticism and the joys of Penny Dreadful.
by Paul J. Pelkonen

Decadence: Eva Greene and Reeve Carney in Penny Dreadful
Image © Showtime Network, used for promotional purposes only.

The elaborate Showtime drama Penny Dreadful is a riot: a gleeful mash-up of Gothic literary figures. Framed as a horror/adventure show and taking its title from the cheap novels of the 19th century, Dreadful combines Frankenstein's monster, werewolves, witches, vampires and a possession case similar to The Exorcist into a heady brew of horror, sex and special effects. Now in its second season, the show has become notable not only for its  intense visuals but for its incorporation of the operas of Richard Wagner into its tapestry of Victorian decadence.

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Critical Thinking in the Cheap Seats