Support independent arts journalism by joining our Patreon! Currently $5/month.

About Superconductor

Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label Recordings overview. Show all posts
Showing posts with label Recordings overview. Show all posts

Monday, February 20, 2017

The Richard Strauss Project: Elektra

Richard Strauss' fourth opera is black and white...and red all over.
by Paul J. Pelkonen
The bloody axe used to kill Agamemnon is a central plot point of Strauss' Elektra.
Richard Strauss chose to follow up the whirlwind success of Salome with Elektra, an opera that shares several points of similarity. Both works have a heroine who descends into insanity,  horrific offstage murder (two this time) and take place in a single, intense act that lasts about an hour and a half. However, Elektra much more than Strauss repeating himself: it was a great leap forward.

Trending on Superconductor

Translate

Share My Blog!

Share |

Critical Thinking in the Cheap Seats