Concert Review: Night of the Blob

Pierre-Laurent Aimard at Carnegie Hall.
by Paul J. Pelkonen

Pierre-Laurent Aimard and friend. Photo from the artist's website.

There is no question that the French pianist Pierre-Laurent Aimard is among the most innovative and forward thinking masters of the keyboard working today. However, Thursday night’s recital on the big stage of Carnegie Hall's Stern Auditorium was a bit of a puzzle, challenging to both the artist himself and the music lovers, aficionadoes and reviewers in attendance.

Concert Review: Dionysius Rampant

Valery Gergiev conducts Beethoven and Ravel.
by Paul J. Pelkonen

Valery Gergiev at the helm of his Munich forces.
Photo by Chris Christodoulou at the BBC proms © 2016 The British Broadcasting Company.

An evening with Valery Gergiev on the podium is never dull. The Russian maestro returned to Carnegie Hall on Monday night with his new orchestra, the Munich Philharmonic, and a conservative but lucid program pairing the works of Ravel and Beethoven. This concert marked the first appearance of Mr. Gergiev as the music director of the Munich forces, although he did substitute duty for an ailing Lorin Maazel two years ago.

Concert Review: Blocks, Points and High Explosives

The Piano Music of Pierre Boulez at Zankel Hall.
by Paul J. Pelkonen

Pierre-Laurent Aimard and Tamara Stefanovich played Pierre Boulez' piano works
on Monday night at Zankel Hall. Photo by Neda Navae © 2015 ECM Records.

There are many words that can be used to describe Pierre Boulez. Composer, innovator, iconoclast, maverick, visionary all come immediately to mind following Monday night's recital at Zankel Hall. At this concert, pianists Pierre-Laurent Aimard and Tamara Stefanovich had agreed to perform the difficult feat of playing the composer's complete repertory for solo piano as part of their current North American tour.

2014 In Review: The Five Best Recitals

We list the five best solo performances of the year that was.
by Paul J. Pelkonen

Framegrab of mezzo Joyce DiDonato at the Gowanus Ballroom.
Image © 2014 Warner Brothers Classics.

As this very strange year recedes into our memory, we're kicking off our year-end best-of on Superconductor. Stay tuned this week for more best-of posts, including the best operas and best symphony concerts of a very strange calendar year.

 It's tough out there when you're by yourself. It's also hard when you have just a pianist accompanying you. So with that in mind here are the best solo recitals (instrumental and vocal) that I saw in 2014.

Concert Review: Everest, Part One

Pierre-Laurent Aimard plays The Well Tempered Clavier, Book I
by Paul J. Pelkonen

The pianist Pierre-Laurent Aimard.
Photo by Felix Broede for Deutsche Grammophon/UMG.

If the modern piano recital can be equated to the climbing of mountains, then Bach's The Well-Tempered Clavier (Clavier simply means "keyboard") represents one of the steepest, highest and most dangerous slopes of all. For Pierre-Laurent Aimard, the iconoclastic French pianist whose mentors included Pierre Boulez, Thursday night's performance of Book I of this massive keyboard work at Carnegie Hall was the equivalent of a climb up Everest--without oxygen or Sherpa guides.