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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label James Bagwell. Show all posts
Showing posts with label James Bagwell. Show all posts

Monday, August 22, 2016

Concert Review: The Total Mass Retain

Mostly Mozart goes to church...twice.
by Paul J. Pelkonen
Conductor Louis Langrée.
Photo © 2016 Mostly Mozart Festival/Lincoln Center for the Performing Arts.

Four singers made their debuts at the Mostly Mozart Festival on Friday night, singing two major choral works by the Austrian composer: the Mass in C minor and the Requiem. Both compositions were begun at key moments in Mozart's tumultuous life. Due to extenuating circumstances, each of these grand choral compositions was left unfinished.

Friday, October 23, 2015

Concert Review: The Prodigal and the Exile

The BSO ends its epic stand at Carnegie Hall.
by Paul J. Pelkonen
Prince Alexander (Nikolai Cherkasov) prepares for battle in a scene from Alexander Nevsky.
Photo © 1938 Mosfilm.
Under the baton of new music director Andris Nelsons, the Boston Symphony Orchestra has, this week, treated Carnegie Hall to some of the most exciting performances of this still young concert season. On Thursday night, conductor and players went for the throat with a thrilling one-two program of Prokofiev’s Aleksandr Nevsky and Rachmaninoff’s Symphonic Dances, a daunting program for any orchestra worth their salt.

Friday, May 16, 2014

Concert Review: In the Belly of the Beast

battle hymns on the U.S.S. Intrepid.
by Paul J. Pelkonen
Eyes in the back of his head: conductor James Bagwell.
Photo by Erin Baiano © 2014 The Collegiate Chorale.
For the first New York performance of David Lang's 2009 choral work battle hymns the Collegiate Chorale chose an absolutely unique venue: the hangar deck of the U.S.S. Intrepid. The retired aircraft carrier, moored on the Hudson River and serving as New York's own Sea Air and Space Museum may not seem like an ideal choice for a mostly a capella choral work, but with some clever sound engineering and the leadership of conductor James Bagwell, the performance proved to be a successful one.

Friday, November 8, 2013

Opera Review: A Deviled Egg

Eric Owens takes on Mefistofele at Carnegie Hall.
by Paul J. Pelkonen
Stamping out evil: Mephistopheles (left) and Faust on a 60dm West German postage stamp.
© 1979 Deutsches Bundespost.
On Monday night, the Collegiate Chorale opened their 2013 season at Carnegie Hall with a concert performance of Arrigo Boito's Mefistofele. This was one of the most anticipated evenings of the fall opera season in New York, and marked the first appearance of baritone Eric Owens in the demanding title role. It was also the first performance of Mefistofele in 13 years--the show was last seen at the Metropolitan Opera in 2000 in Robert Carsen's sturdy production.

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Critical Thinking in the Cheap Seats