Reposted from The Classical Review.
by Paul J. Pelkonen
Carmen returned to the Metropolitan Opera Friday night with an energetic new conductor, Michele Mariotti in his house debut. The performance crackled with a sense of barely controlled violence that suited Richard Eyre’s handsome, war-torn production. It also marked the return of Anita Rachvelishvili, who brought an earthy sensuality and a magnetic presence to the title role.
Read the whole review by Superconductor's own Paul J. Pelkonen, exclusively on The Classical Review.
by Paul J. Pelkonen
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| Don José (tenor Yonghoon Lee, with knife) menaces Anita Rachvelishvili's Carmen in Act IV of the Bizet opera. Photo by Ken Howard © 2012 The Metropolitan Opera. |
Read the whole review by Superconductor's own Paul J. Pelkonen, exclusively on The Classical Review.