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Saturday, September 13, 2014

Metropolitan Opera Preview: Lucia di Lammermoor

High notes and high tragedy in the Highlands.
by Paul J. Pelkonen
Joseph Calleja is Edgardo in the Met's revival of Lucia di Lammermoor.
Photo by Ken Howard © 2013 The Metropolitan Opera.
The bride of Lammermoor returns to the Met stage, in Mary Zimmerman's entertaining yet controversial production.




Gaetano Donizetti's opera is (along with Bellini's Norma) the most important, most beloved example of bel canto tragedy. Bel canto means "beautiful song," and the Donizetti style requires just that: long vocal lines, a high tessitura, and above all, a sweetness of tone and delivery, even in the most histrionic moments.

Lucia has the most famous of these: the 17-minute "Mad Scene" where a stunned, blood-splattered Lucia retreats into insanity rather than confront the fact that she's just killed her husband. This revival is a coming-out party for soprano Albina Shagimuratova whose previous duties at the Met have been as Mozart's Queen of the Night.

Mary Zimmerman opted to set the first half of Lucia against a serie of filmed backgrounds representing the lochs, mountain crags, and natural scenery of the Scottish highlands. As Lucia descends into madness, things start to get weird. The Mad Scene is sung beneath a giant moon. And as to the fate of Edgardo (tenor Joseph Calleja): you'll just have to see for yourself.

Lucia di Lammermoor opens March 16, 2015.

Recommended Recordings:
Orchestra and Chorus of La Scala cond. Herbert von Karajan (EMI, 1955)
Lucia: Maria Callas
Edgardo: Giuseppe di Stefano
Enrico: Rolando Panerai
Maria Callas made three recordings of Lucia: in 1953, '55, and '56. The '55 recording pairs La Stupenda with conductor Herbert von Karajan and tenor Giuseppe di Stefano. This is an exciting live recording of the opera. There are some traditional cuts, stage noises, and mono sound.

London Symphony Orchestra cond. Thomas Schippers (ABC/Westminster, 1970)
Lucia: Beverly Sills
Edgardo: Carlo Bergonzi
Enrico: Piero Cappucilli

One of the great Beverly Sills recordings of the major Donizetti operas from the 1970s, this set boasts a knockout pairing of Carlo Bergonzi and Piero Cappucilli. Sills takes more of the bel canto "songbird" approach to the role, navigating the Mad Scene with fearless control and dazzling coloratura. Back in the catalogue, thanks the the Universal Classics decision to reissue recordings from the defunct ABC label.

Orchestre de l'Opera National de Lyon cond. Evelino Pido (Virgin Classics, 2002)
Lucie: Natalie Dessay
Edgar: Roberto Alagna
Henri: Ludovic Tezier
Natalie Dessay in the role of Lucia--make that Lucie. Yes, this is the French version of the opera, and the only recording of Gaetano Donizetti's 1838 revision of the opera for the Paris stage. Featuring Roberto Alagna (who always sounds better in his native language) and Ms. Dessay's fearless assault on the Mad Scene, this set makes an engaging alternative.
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Critical Thinking in the Cheap Seats

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Since 2007, Superconductor has grown from an occasional concert or CD review to a near-daily publication covering classical music, opera and the arts in and around NYC, with excursions to Boston, Philadelphia, and upstate NY. I am a freelance writer living and working in Brooklyn NY. And no, I'm not a conductor.