Now granted, the last ten years haven't been a total disaster--there are still good, important opera recordings being made and the market is flooded by a lot less crap. Better digital remastering processes have resurrected many classic recordings, at lower prices, that sounded thin and gritty in their initial CD releases. And improvements in CD packaging (mostly the elimination of the jewel case in large box sets, e.g. the DGG Collector's Edition) have gone from door-stops to pocket size, making room for more good music on the shelf.
But it's still not a perfect world. The death of Tower Records and the downsizing of large retail chains has hurt the sense of community among listeners--to put it simply there are fewer places to hang out and geek about the music we are all so passionate about. Maybe some enterprising individual should start "listening clubs" or "music lounges"--but then if we were all there and plugged into headphones there wouldn't be any dialogue either.
On a more cheerful note, I picked up a couple of interesting box sets--including a compilation of Daniel Barenboim's '70s recordings of Chopin, Mendelssohn, and Liszt, including some rare Wagner transcriptions that I'd never heard before--and a Beethoven cycle by Emil Gilels, left unfinished due to the death of this great pianist.
Photo © Monika Rittershaus, for Teldec International